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ACTING COACH'S STAR
SHINES BRIGHTER
The Miami Herald
Sunday, October 24, 1999
BY HECTOR HERNANDEZ
Miami News Service
Photos by Candace Barbot
He's cracked jokes with Jerry Seinfeld, polished Jon Secada's acting and most recently served
as Gloria Estefan's coach in the new movie Music of the Heart. But Stewart Solomon
is no media hound, even though he is becoming South Florida's own Acting
Coach to the Stars
and other hopefuls.
A professional educator, Solomon, 51 is founder and
president of Creative WorkShops, a school for acting, singing, movement and speech
training.
Although he has worked with many celebrities including
Carlos Ponce and Francisco Paz, Channel 7 news anchor Belkys Nerey and others, Solomon
will be the first to say that the success he enjoys today evolved over a period of time.
In the story of The Tortoise and the
Hare, he says,
"I've always taken the route of the tortoise."
Like the tortoise, Solomon slowly built his reputation,
starting at the University of Florida, then production and acting jobs in New York, but
the Miami native came back to South Florida to conduct private acting workshops. In 1996,
he opened Creative WorkShops in North Miami Beach and eventually turned it into his sole
livelihood.
Secada walked in a year and a
half ago, seeking acting guidance for
audition pieces. He had heard of Solomon from Gina Maretta, Estefan's singing teacher, who
had recommended his coaching abilities to the Estefan Enterprises office. Casually one
day, Secada told Solomon: "I'm gonna tell Gloria about you. She wants to get into
film, did you know that?"
Shortly afterward, Solomon received a phone call from
Estefan Enterprises. He met the singer at her home. "And that was it," he said.
"We hit it off."
They began almost immediately, working one on one doing
all sorts of acting exercises for about a year. "As scripts came in that she wanted
to work on, we would work in intensive spurts - three to four times a week for a period of
a few weeks," said Solomon. And then the role came along.
The film 50 Violins, rechristened
Music of the Heart, stars Meryl Streep in
the true story of a dedicated East Harlem music teacher who struggled for a decade to
preserve her violin classes at three public schools in Harlem. Estefan makes her acting
debut alongside Angela Bassett and Aidan Quinn in the supporting cast. The pop diva, whose
mother was a school teacher, also plays the role of a teacher, Isabel Vasquez, who is
among the first to show Streep's character some much needed support.
"She's so easy to work with...focused," said
Solomon of Estefan. "One of the most incredible senses of humor, which is what I like
the most about her. She puts the play back in the screenplay. And warmth...she's so
warm," he added.
But the lessons were not all play. Estefan took that
classes seriously, said her coach.
"She totally was there, available and gave
one-hundred percent," he said. "She brings in twenty years of professional grace and expertise
to the work. You know how easy that makes my job? You go, you start and you go - no
barriers," added Solomon.
While Solomon is enthusiastic about his experience with
Estefan, he seems to be genuinely enthusiastic about all of his students.
"It takes
me twenty seconds to find out what's wrong with an actor, but the rest of my life to see
what's right. You know how exciting that is?"
His students are not at a loss for words when it comes to
their mentor.
"He's a very passionate man about everything in life.
He loves life and he loves to teach," said Enrique Matus, 28, a full-time actor and
second-year student at Solomon's Creative WorkShops.
Solomon said his professional relationship with Estefan
has meant that his other students now see him in a new light.
"I feel totally acknowledged.
It has given me more credibility," he said. "The messenger and the message are the same, but there's more trust from the
student."
Solomon's studio, at 17065 West Dixie Highway, averages
one-hundred and twenty students enrolled mostly in evening and weekend classes, which cost $195 each for a
six-week term. Courses include the basic - Acting Essentials - and advanced -
Actors ProShop™. There's also a class for film and TV with a three-camera studio setup. A class
offered once a week Monday morning and another on Saturday afternoons keeps Solomon busy
in the studio .
"He is trying to show us how to open windows, take
risks and make bold choices," said Willasue Susskind, an outspoken playwright who
attends Thursday's ProShop™ regularly.
Solomon's self-described tortoise-paced life also has
included risks and bold choices.
While pursuing his bachelor's degree at
the University of Florida, he actually
took more classes in theater than in his own major - Broadcasting (TV & Film). After
graduating in 1970, he moved to New York, dabbled in TV and radio production, then let the
Big Apple's theater environment lure him to the National Improvisational Theater, where he
developed and directed the Improvised I-Act Workshop and the comedy ensemble Present
Company. A founding member of NIT's Interplay, Jerry Seinfeld was then a member of the
same troupe and host and emcee at the Comic Strip.
Accolades and awards, performances at Lincoln Center and
the Shrine Auditorium in Los Angeles, even Broadway would follow. "I was always
performing in Manhattan," Solomon said. "I was one lucky actor."
Yet somehow, he says, he felt it was time to come home,
where he earned a master of science in education from Nova University in 1993, then taught at the New
World School of the Arts and the University of Miami, before going full time with his
acting studio.
"Improvisation is the jazz of the theater," said
Solomon. "The point is, you don't know where the creative process is going to take you.
That's why I think acting is so healthy. That has been my experience and I hope to pass it
on."
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